Skip to main content

Notice

Please note that most of the software linked on this forum is likely to be safe to use. If you are unsure, feel free to ask in the relevant topics, or send a private message to an administrator or moderator. To help curb the problems of false positives, or in the event that you do find actual malware, you can contribute through the article linked here.
Topic: Audibility of "typical" Digital Filters in a Hi-Fi Playback  (Read 331691 times) previous topic - next topic
0 Members and 9 Guests are viewing this topic.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #150
Nice argument from authority.  The funny thing is it wasn't necessary, but you couldn't help yourself and put it in anyway.

So, who is Steven?

Steven is Krabapple.

On the first comment, that is a forum debating technique which has no parallel in real life.  In real life my doctor's medical training and degree trumps my lay opinion without being called argument from authority.  In a patent dispute I can bring expert witnesses and they are not being dismissed as arguing from authority. 

In forums we like to pretend that such real life experience has no value and hence our lay opinion matters as much.  We build up a portfolio of these phrases we throw at people and stand back as if it have real meaning.  They don't.  Stuart is an authority in signal processing and psychoacoustics.  That authority has value way, way above someone like Arny just dismissing what he has written as being faulty principals.  Stating that he is wrong by showing Stuart's credentials, is logical, appropriate and cannot be dismissed with your comment.

Ditto for other phrases like "strawman," "extraordinary claims require extraordinary proof," etc.  All are nonsense.  So please don't use them against me or I will write a much longer response next time. 
Amir
Retired Technology Insider
Founder, AudioScienceReview.com

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #151
Nice argument from authority.  The funny thing is it wasn't necessary, but you couldn't help yourself and put it in anyway.

So, who is Steven?



you know: me.  Shameless bad-title-maker and proxy-battler. 

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #152
Nice argument from authority.  The funny thing is it wasn't necessary, but you couldn't help yourself and put it in anyway.

So, who is Steven?



you know: me.  Shameless bad-title-maker and proxy-battler. 

Why don't you tell them what your field of study is and how hobbyists routinely present data that you use in your everyday profession.
Amir
Retired Technology Insider
Founder, AudioScienceReview.com


Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #154
So please don't use them against me or I will write a much longer response next time.

The question remains as to whether it would be worth reading.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #155
This thread is comparing and contrasting the work of Stuart vs Meyer and Moran.

Nope. This thread is about the BS paper. You insist on comparing to Meyer & Moran, because you are Amir the illogical and thus constantly Red Herring, Ad Hominem (their "credentials", etc, etc) arguments.


This thread was originally started and titled (by me) as 'A follow up to Meyer & Moran?'.  BS & Co's convention paper casts itself as a rebuttal to M&M, which is mentioned/cited profusely therein. 

This new convention paper is merely the latest salvo in a battle that goes back the late 1990s  in AES, as previously documented on HA here

I get a sense that the warring parties perhaps do not think very highly of each other. 


Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #156
So please don't use them against me or I will write a much longer response next time.

The question remains as to whether it would be worth reading.

Usually not but may want to flip the coin once in a while and do so....
Amir
Retired Technology Insider
Founder, AudioScienceReview.com

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #157
I might get 10 out of 10 if I do it long enough and you can congratulate yourself on a job well done.  I may or may not mean my reading roughly half of your posts.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #158
So please don't use them against me or I will write a much longer response next time.

The question remains as to whether it would be worth reading.



Than answer is:  it depends on how much you like going down rabbit holes.

But even then maybe worth it sometimes.  Or at least being aware of the rabbit holes.  What you call 'battle by proxy' isn't just a personal vendetta.  The narrative pushed by the Amirs and Atkinsons and Stuarts of the world is what we at HA, and people like Monty, and members of AES who concur with us, get as blowback when we try to inject sense into audio.  Because you can bet for sure that they -- the Amirs, Atkinsons,  Stuarts --  will not be the ones cautioning audiophiles and marketers not to oversell the benefits of hi rez.

So if you care about this stuff at all it's good to be aware of what story is being propagated/propagandized on other audio forums.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #159
In real life my doctor's medical training and degree trumps my lay opinion without being called argument from authority.
That authority has value

Fantastic Amir, we agree!
Ok, now as your favorite audiophile disorder doctor, I prescribe you this:
Let's start:  "how do you even imagine that one can hear a difference between two systems, one with noise 98 dB down and the other 146dB down, when the level is set to peak at 96dB?"

How do you explain how "obviously difference" fails to show up in even the worst kind of ABX test?

I have yet to see a whit of evidence that "high-rez" matters for final presentation to a listener.  Have you any, bearing in mind that citing non-blind-testing proves nothing but the incompetence, the complete and total incompetence, of the person citing it as evidence.
Bear in mind the hard evidence for the persistance of loudness memory while you're at it.


I have my doubts that SACD or DVDA are much, if any, of an improvement, but the test is just blisteringly hard to run, and more likely to respond to artifacts, either positively or negatively, than it is to actual differences. Time alignment, level alignment, frequency response in-band can all throw it positive, lack of training, bad test environment, bad time alignment, etc, can also cause false negatives. Subject verification, likewise, is an important issue.
So, I remain undecided, but I note that I own a lot of CD's and not a single SACD or DVDA, except for some people have sent me.


Amir, hopefully this meets your luminary-authority requirements sufficiently as not to question it?

Quien es mas macho, BS  o JJ?

cheers,

AJ
Loudspeaker manufacturer

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #160
He called you out twice.  I guess you're doubly-important.


For the record, the first time was when he was grabbed a graph from a Hydrogenaudio wiki and grossly overselling/misinterpreted it on AVS Forum. 
He was asked but refused to come here to answer for that.




Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #161
So if you care about this stuff at all it's good to be aware of what story is being propagated/propagandized on other audio forums.

My takeaway is that this further underscores the need for the parties involved to agree to adhere to a pre-chosen and carefully defined topic, and call-out those who try to steer it away to an alternate narrative.

Failing to do this can and will lead to train wrecks, especially when taking into account the history of the participants.

I bin off-topic posts like this for a reason:
http://www.hydrogenaud.io/forums/index.php?showtopic=107484

Dog forbid, I turn my blunt scalpel on this discussion.  Maybe I can re-write history like what is done on other forums and then you guys can point to it while decrying that the internet is indelible.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #162
He called you out twice.  I guess you're doubly-important.

For the record, I meant in this post:
http://www.hydrogenaud.io/forums/index.php...st&p=880881

graph from a Hydrogenaudio wiki

I'm glad that graph stirred things up and I was able to convince someone to remove it.

No matter how well-intentioned, that ill-advised graph should have never been created.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #163
So if you care about this stuff at all it's good to be aware of what story is being propagated/propagandized on other audio forums.

I'm also aware that people are left to resorting to accusing people of cheating.

Then we have people who are intentionally cheating but get upset when you call a spade a spade.

Then we have people who refuse to consider that the test files in question are fallible while insisting that other test files must be.

But hey, the fb2k ABX plugin has and has always had a bug, so all results ever obtained by using it are officially null and void.

Down is Up, I guess!

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #164
I'm glad that graph stirred things up and I was able to convince someone to remove it.

No matter how well-intentioned, that ill-advised graph should have never been created.


Agree 100% . But in hindsight it serves as a good example of how ill-advised 'evidence'  can be misused.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #165
But hey, the fb2k ABX plugin has and has always had a bug, so all results ever obtained by using it are officially null and void.

Down is Up, I guess!



The amusing thing is, that would apply only to *positive* results.  (At least, I can't imagine how the bug would bias toward false negatives)


(But neither Meyer & Moran nor Meridian used foo_abx)


Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #166
In real life my doctor's medical training and degree trumps my lay opinion without being called argument from authority.
That authority has value

Fantastic Amir, we agree!

If we do on anything, I will have to go and hang myself.

Quote
Let's start:  "how do you even imagine that one can hear a difference between two systems, one with noise 98 dB down and the other 146dB down, when the level is set to peak at 96dB?"

How do you explain how "obviously difference" fails to show up in even the worst kind of ABX test?

I have yet to see a whit of evidence that "high-rez" matters for final presentation to a listener.  Have you any, bearing in mind that citing non-blind-testing proves nothing but the incompetence, the complete and total incompetence, of the person citing it as evidence.
Bear in mind the hard evidence for the persistance of loudness memory while you're at it.


I have my doubts that SACD or DVDA are much, if any, of an improvement, but the test is just blisteringly hard to run, and more likely to respond to artifacts, either positively or negatively, than it is to actual differences. Time alignment, level alignment, frequency response in-band can all throw it positive, lack of training, bad test environment, bad time alignment, etc, can also cause false negatives. Subject verification, likewise, is an important issue.
So, I remain undecided, but I note that I own a lot of CD's and not a single SACD or DVDA, except for some people have sent me.


Amir, hopefully this meets your luminary-authority requirements sufficiently as not to question it?

The "whit of evidence" and non-sighted test manifested itself in the form of Stuart's paper and us passing the forum ABX tests.  JJ is on private industry thread where we are discussing these latest developments for some time now.  He has not objected to anything we have been saying.  Maybe he is dumbing things down for folks like you in forums.  Go live what, buster! 

Now where is the youtube video for how to make a noose....
Amir
Retired Technology Insider
Founder, AudioScienceReview.com

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #167
@Arny, what reference does "30" lead to? Notice he wrote, "so 16 bit RPDF dither WOULD be inaudible" so apparently an actual test for this, in situ, was NOT performed. Had it been he would have presumably said so, and written "so 16 bit RPDF was kept to an inaudible level". Instead, by the use of the word "would", his assertion that it was kept to an inaudible level seems based on theory and conjecture. [Pending whatever "[30]" refers to].


J. R. Stuart. Noise: methods for estimating
detectability and threshold. AES 93rd Conven-
tion, Berlin, 1993.

That is a superb paper by the way.


Motherhood and apple pie.

To those of us who are already well-informed in the area it is a tutorial for newbies.

If you are a newbie, then it is probably pretty impressive.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #168
If we do on anything, I will have to go and hang myself.

Well, do find that Youtube noose video, since you somehow managed to get bi-amping and speaker/room treatments, etc. right.
You seem to be afflicted mainly with "digital" disorder, this "Hi-Rez" business, "hearing" SPDIF, etc, etc. 
I'll assume the "Power Regenerator" stuff was a prank.


I have my doubts that SACD or DVDA are much, if any, of an improvement, but the test is just blisteringly hard to run, and more likely to respond to artifacts, either positively or negatively, than it is to actual differences.

The "whit of evidence" and non-sighted test manifested itself in the form of Stuart's paper

Yes, so it seems and now here we are, examining that "whit" of dither doctored, direct radiator beryllium domes driven >105db evidence. Not quite the home run you were insinuating, but a lot more "lets see what happened here when those with pecuniary interests run a test". Artifacts?
Btw, 3rd time, do you have the (overlayed?) measurements/listening test data demonstrating the transparency of the BS paper switch, speakers, etc?

...and us passing the forum ABX tests.

Yes, like this, demonstrating there worthlessness to all but shysters who insist otherwise.

JJ is on private industry thread where we are discussing these latest developments for some time now.

Yet another of your insinuations, vs actual verifiable, public statements, like the ones I quoted above.

cheers,

AJ
Loudspeaker manufacturer

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #169
Nice argument from authority.  The funny thing is it wasn't necessary, but you couldn't help yourself and put it in anyway.

So, who is Steven?

Steven is Krabapple.

On the first comment, that is a forum debating technique which has no parallel in real life.


Say what? Argument from authority has no parallel in real life? In what alternative unverse?  It is very common in advertising.  A rather amusing example of argument from authority is as follows:



Quote
In real life my doctor's medical training and degree trumps my lay opinion without being called argument from authority.


Formal training in medicine?

Congratulations Amir for keeping that a secret.

Unfortunately, the expertise of medical doctors even on medical topics is not looking so good right now...

Quote
In a patent dispute I can bring expert witnesses and they are not being dismissed as arguing from authority.


Expert testimony in court has no special legal weight.

http://legal-dictionary.thefreedictionary....xpert+Testimony

"Generally speaking, the law of evidence in both civil and criminal cases confines the testimony of witnesses to statements of concrete facts within their own observation, knowledge, and recollection."

Expert testimony outside of facts relevant to the case and even of those facts has the same legal weight as any other evidence. What does the jury do when experts disagree?

Recommended instructions to the jury from the judge are as follows:

https://www.justia.com/criminal/docs/calcrim/300/332.html

"If the expert witnesses disagreed with one another, you should weigh each opinion against the others. You should examine the reasons given for each opinion and the facts or other matters on which each witness relied. You may also compare the experts' qualifications."

Quote
In forums we like to pretend that such real life experience has no value and hence our lay opinion matters as much.

We build up a portfolio of these phrases we throw at people and stand back as if it have real meaning.  They don't.


Please speak for yourself.

Quote
Stuart is an authority in signal processing and psychoacoustics.


It appears that Stuart has played an amateur's game for decades when it comes to psychoacoustics and subjective audio testing. AFAIK the article we are discussing is the first time he's put his name on anything but the results of sighted evaluations. If he is such an expert abut psychoacoustics why have we waited all these decades for even the pretense of him following some kind of recognizable attempt at bias controlled listening test. Blind tests were the gold standard in pyschoacoustics 40 years ago. 

If these guys are such experts why this set of major gaffes?

"In an ABX test, a listener is required to listen to two reference sounds, sound A and sound B, and then to listen to sound X, and to decide whether sound X is the same as sound A or sound B."

"An ABX test requires that a listener retains all three sounds in working memory, and that they perform a minimum of two pair-wise comparisons (A with X and B with X), after which the correct response must be
given; this results in the cognitive load for an ABX test being high."

In fact  the above account of the listener's behavior in an ABX is completely false.

(1) Its up to the listener to chose the order of listening to reference sounds and sound X.  IME for the past 30+ years most listeners choose orders such as AXBXAXB... They are of course not restricted to the order ABX.

(2) The listener can base his decision on the comparison between A and X or the comparison B and X or both or neither - it is all up to him.

(3) The listener need not retain all three sounds in working memory. He need on retain just two sounds like any other comparison test. The listener usually does the pair-wise comparisons one at a time. When he compares the unknown to the second reference he only has to maintain just two sounds in his memory.

(4) A correct response need not be given until the listener is ready to give it. All that is required is a response - the listener can base it on what he chooses to base it on, including making intuitive guesses.

I couldn't have paid these guys to screw up worse! ;-)

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #170
@Arny, what reference does "30" lead to? Notice he wrote, "so 16 bit RPDF dither WOULD be inaudible" so apparently an actual test for this, in situ, was NOT performed. Had it been he would have presumably said so, and written "so 16 bit RPDF was kept to an inaudible level". Instead, by the use of the word "would", his assertion that it was kept to an inaudible level seems based on theory and conjecture. [Pending whatever "[30]" refers to].


J. R. Stuart. Noise: methods for estimating
detectability and threshold. AES 93rd Conven-
tion, Berlin, 1993.

That is a superb paper by the way.


Motherhood and apple pie.

To those of us who are already well-informed in the area it is a tutorial for newbies.

If you are a newbie, then it is probably pretty impressive.


That is interesting.  You had just said this just a few hours ago:

J. R. Stuart. Noise: methods for estimating
detectability and threshold. AES 93rd Conven-
tion, Berlin, 1993.

The problem is that AFAIK Stuart has never before based any of his claims on relable listening test. Any DBT that is criticallly contingent on potentially flawed principles is obviously highly suspect.


How did it go from "highly suspect and flawed principles" to a tutorial that you already knew Arny?

Here is an excerpt from the paper:



Which newbie do we want to pick to read this as a tutorial?  Where would we see you describing the same anywhere online?

Would you like to take back what you said Arny?
Amir
Retired Technology Insider
Founder, AudioScienceReview.com

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #171
Say what? Argument from authority has no parallel in real life?

No.  It is a phony tactic used on forums.  I have been to countless technical conferences.  Not once have I seen anyone stand up and say, "Sir, that is appeal to authority."  Or "that is a strawman."  Or "excluded middle." 

We have gotten so used to deploying these tactics to avoid having a technical discussion that we have confused ourselves to the point of thinking this is reality.  You should have left these phrases in high-school debating class where they belong.  They have no use in a professional discussion.

Quote
It appears that Stuart has played an amateur's game for decades when it comes to psychoacoustics and subjective audio testing.

The only amateurs are folks like yourself writing forum posts Arny with no education or work experience in psychoacoustics.  You are a hobbyist.  This man is not: http://www.aes.org/events/137/presenters/?ID=2425

AES Los Angeles 2014 Presenter or Author
J. Robert Stuart
Primary Affiliation: Meridian Audio Ltd. - Huntingdon, UK
AES Member Type: Life Fellow

J. Robert (Bob) Stuart was born in Belfast, Northern Ireland in 1948. He received a B.Sc. in electronic engineering from the University of Birmingham and an M.Sc. in operations research from Imperial College, London. While at Birmingham he studied psychoacoustics under Professor Jack Allinson, which began a lifelong fascination with the subject.

In 1977 he co-founded Meridian and is now chairman and technical director of Meridian Audio.

His professional interests are the furthering of analogue and digital audio and developing understanding of the human auditory perception mechanisms relevant to live and recorded music. His specialities include the design of analogue and digital electronics, loudspeakers, signal processing and optical disc players.

Mr Stuart has contributed to DVD-Audio and BluRay standards and has served on the technical committees of the National Sound Archive and the ADA (Japan). He has a deep interest in music and spends a good deal of time listening to live and recorded material. He is a fellow of AES and a member of JAS, ASA, IEEE and the Hearing Group at Cambridge.


This is a luminary.  This is an expert you learn from.  Please don't elevate yourself above him when you don't have a single accolade, educational or work experience he has in this field Arny.  Please apply some common sense before writing such things.

Edit: fixed the formatting.
Amir
Retired Technology Insider
Founder, AudioScienceReview.com

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #172
Dog forbid, I turn my blunt scalpel on this discussion.

I was quite enjoying the humorous approach...

This thread is

You'll have to run that by krab.  He has a bad habit of poorly titling and/or poorly defining his discussions as well as using other forums to fight his battles via proxy.  This one is no exception.

Since we can't manage to shame him into stopping, the best I can do is contain it.

...and now you're here.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #173
On the master thread on AVS on Monty's write-up, this is what I said on page #1 after your posts: http://www.avsforum.com/forum/91-audio-the...ml#post21750075

Quote
[color="#0000FF"]The goals for setting a standard here shouldn't be what is adequate but what has some safety margin as to give us high confidence of inaudibility. In that regard, we need to also allow for less than optimal implementations. To that end, Bob Stuart has published a much more authoritative version of this report at AES. Here is an online copy: http://www.meridian-audio.com/w_paper/Coding2.PDF. These are his recommendations:

"This article has reviewed the issues surrounding the transmission of high-resolution digital audio. It is
suggested that a channel that attains audible transparency will be equivalent to a PCM channel that
uses:
· 58kHz sampling rate, and
· 14-bit representation with appropriate noise shaping, or
· 20-bit representation in a flat noise floor, i.e. a ‘rectangular’ channel"


So as we see, the CD standard somewhat misses the mark on sampling rate. And depending on whether you trust the guy reducing the sample depth from 24-bit to 16 bits, we may be missing the right spec there too.
If you have read the paper, you will know that after a lengthy discussion, the 58kHz figures come (not mostly from that discussion, but) from Nyquist sampling the highest frequency that anyone has ever been able to hear, adding 10%, and rounding up to the nearest whole number of kHz.

Following this reasoning, those of us who can't hear 26kHz don't need such a high sample rate.


However, "extraordinary claims require extraordinary evidence."

They don't really.  This line came from a couple of devotees in the skeptic camp and has no other foundation.
Wikipedia told me it was popularised by Carl Sagan from an original quote by Marcello Truzzi.

Quote
I don't know why it keeps getting repeated in these discussions as if it is a universal truth.
I'm not claiming it's "true", but it's certainly relevant and should give pause for thought.

Quote
That aside, who is to say what is extraordinary?  To my wife, it is extraordinary claim that blu-ray looks better than DVD.  She thinks they look the same.  Do I need to come up with extraordinary proof to show she is wrong?  I do not.
But the previously known spatial resolution limit of the human eye + the size of your new HDTV + the distance you sit from it says the extra resolution that BluRay delivers in your living room is visible to normal eyes. Whereas the previously known frequency response of the best human ears says the higher frequencies in your hi-res audio files are inaudible.

They're opposite situations. The benefits claimed by one match known science. The benefits claimed by the other contradict known science.


Quote
Quote
A few of the results posted, if they were obtained fairly, are the start of some useful evidence. Many are just the result of badly set-up or performed tests. I haven't seen you discount these faulty tests, but then I haven't trawled through all the relevant threads.

I will do so now.  I discount all of them.  Every test has flaws.  But we are told that if we pass a "DBT ABX" folks would believe.  Well, we passed them and passed them all.  Yet, it has managed to do absolutely nothing.  Now they are all out to discredit validity of these tests.  Which way is up now?  We have schmucks now saying we have to have witnesses to prove we did not doctor up some log to win a point online.  Really?
I am differentiating between the tests where, unless someone cheated, a positive result means something - and the tests where a positive result could mean nothing because the tests themselves included fundamental flaws which could deliver a positive result even if both files contained CD quality audio.


If you won't draw a distinction between these, then it's a bit rich to accuse others of looking "totally illogical and biased to the core".

Cheers,
David.

Audibility of "typical" Digital Filters in a Hi-Fi Playback

Reply #174
On adding more channels, the market has spoken.  The music buying industry is young people who want their tunes with headphones and such so we are stuck with stereo.  Multi-channel music's era came and gone.  Sure, there is a path through Blu-ray but highly limited.  If you want to boil the ocean by advocating that the whole market transform around your wishes, go ahead.  I don't like hitting my head against the wall nearly as much as you do.
One minute you're advocating an audio standard which requires a 10 year old's hearing* and/or a $100k+ acoustically insulated room* to appreciate it, but when someone suggests more channels, we can't have that because we have to limit what we deliver to what can be appreciated by folks listening on their iPods.






I think we need a minute's silence to let the size of that contradiction settle in...






btw, if you have head tracking, then multiple source channels, or (better still) complete sound fields, become very useful as sources for headphone listening. It's only without head tracking that two channels is enough, and without head tracking headphones and binaural perception are pretty fragile.

Cheers,
David.
P.S. * = exaggerated for effect, but I think think you can still see the serious point here.