Skip to main content ↑ ↓
Topic: Multiformat Listening Test @ 48 kbps - FINISHED (Read 80228 times) previous topic - next topic
0 Members and 1 Guest are viewing this topic.

Multiformat Listening Test @ 48 kbps - FINISHED

The much awaited results of the Public, Multiformat Listening Test @ 48 kbps are ready.

Here is the results page: http://www.maresweb.de/listening-tests/mf-48-1/results.htm



Nero is first, followed by Vorbis and WMA Pro. which are tied on second place, WMA Standard is third and loses.

I think this test shows that with modern encoders, the quality at 48 kbps is acceptable and should be good enough for Internet streaming or portable use with cell phones for example. It's also interesting to see that WMA Professional perfomed quite well although it was the only contender that used CBR.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #1 –
Fantastic! Thank-you very much for your efforts, Camil

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #2 –
Don't mention it.

Anyways, congrats to Nero and its devs for a nice low-bitrate codec. Another interesting thing is that iTunes at 96 kbps seems to be transparent to most users.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #4 –
Quote from: Sebastian Mares on
Anyways, congrats to Nero and its devs for a nice low-bitrate codec.


Though I'm even more impressed about how the new Windows Media Audio 10 Professional codec performed. As we all know, VBR can drastically increase the overall sound quality compared to plain CBR. But although the codec was in a clear disadvantage compared to its antagonists, it was still able to rank as 2nd, with its result not being too far from Nero. I wonder how that's possible - does it feature some special techniques for low-bitrate encoding, comparable to Nero's SBR?

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #5 –
Quote from: Junon on
As we all know, VBR can drastically increase the overall sound quality compared to plain CBR.


That's arguable. Indeed, a good VBR model can improve things a lot. But a bad model can ruin everything. Check the iTunes MP3 encoder for an example.

Quote
does it feature some special techniques for low-bitrate encoding, comparable to Nero's SBR?


Yes

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #6 –
Great test, thanks!
Two interesting points:

• iTunes AAC CBR at 96 kbps as high anchor get the same score than iTunes AAC at VBR 128 kbps when tested as competitor.

• quality varies a lot with samples. It means that at such low bitrate VBR doesn't imply constant quality.
eig, aquatisme, spmg54 and bibilolo were all ranked under 3.0/5 with all competitors (with one exception for bibilolo = 3.16 with vorbis). On the other side other samples like locomotive breath, symphony metal, bebussy, white america, are close to transparency.
In other words, current encoders could sound pretty well but also poorly. Quality is simply unstable - and VBR doesn't really help.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #7 –
WMA Standard came out significantly better than iTunes AAC-LC at this bit rate...

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #8 –
Quote from: Redmond on
WMA Standard came out significantly better than iTunes AAC-LC at this bit rate...


That's to be expected. iTunes AAC doesn't implement intensity stereo.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #9 –
Quote from: Redmond on
WMA Standard came out significantly better than iTunes AAC-LC at this bit rate...


That's also a bit surprising to me, starting from the fact that people keep complaining about WMA Standard's bad quality here on HA, although Apple's AAC implementation performs even worse. Might be possible that it's the other way round on higher quality settings. But nonetheless, that doesn't change the fact that they're both quite impractical in the 48 kbps bitrate region. During the past few years I've been using WMA 9 STD Q50 on two portable devices which supported nothing but MP3 and WMA, and that was the first bearable compromise between filesize and quality.

Thanks to Roberto for the quick reply about WMA 10 Pro. At the first moment I wondered a bit about my lossy codec's of choice result, Vorbis, which is just on par with that CBR competitor made by Microsoft. But since both Nero and Microsoft added low-bitrate techniques to their codecs (SBR in Nero's case, don't know what Microsoft exactly uses in WMA Pro) in contrast to Vorbis, I'd say aoTuV beta 5 did a good job in this test.

Edit: Ah, the answer about WMA STD vs. iTunes AAC can be found above. Should've reloaded this topic before replying.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #10 –
Boy, I don't remember giving such high scores to a lot of those samples...

I'm impressed with iTunes at 96kbps though. I'm definitely impressed with Nero, it does an excellent job at 48kbps (well, considering the bitrate anyway...).

I also expected Vorbis to do worse than it did.

TomsDiner was awful on all encoders though (my highest rating was a 2), save for iTunes at 96; I don't know how it got such a high average.


Sebastian Mares: are you planning to do any other listening tests? Maybe one at 96kbps, or god forbid, one at 24?  96kbps might be a little difficult since it's already apparently transparent for a lot of people, but it would be nice to test, since I think with Vorbis and AAC, that's the new minimum bar (instead of 128kbps) for transparency.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #11 –
Quote from: Firon on
I also expected Vorbis to do worse than it did.

opposite for me. at ~96kbps, Vorbis does a better job than HE-AAC IMO. i've only tested it with 2 songs but Vorbis still outperformed HE-AAC

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #12 –
Thank you for result. I found my results in anonumous37xxx.txt

But some *.txt files haven't any ABX results. Only marks. It's seems to be normal. Why?

I waıted somethıng more from WMA 10 pro at 48. More close to Nero than to Vorbıs.

there is a gram. error in name of second sample. It's sample was uploaded by me and I taped it bad. Sample's name should be symphony_metal (my paranoia doesn't admit spaces either). More correctly saying the song is from S&M Metallıca live album  called  " Wherever I May Roam".

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #13 –
Could you give me any hints of the next listening test?
Please  (This test doesn't surprise me at all)

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #14 –
Quote from: IgorC on
I wa?ted someth?ng more from WMA 10 pro at 48. More close to Nero than to Vorb?s.


Does Nero use PS (HE-AAC v2) at this quality?

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #16 –
edit: Nevermind, I figured it out. Thank you for running the test, Sebastian.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #17 –
In a quick comparison, I found that my results more or less match those of the cumulative (imagine that). The only variance was choosing 2nd place. On some samples I ranked Vorbis higher where the group total ranked WMA Pro higher, and vice versa on others. Of course, it's so close that the <95% explains that.

One interesting find was on the debussy sample I ranked the low anchor 3.8, and WMA Std 1.0. Also on Kraftwerk I ranked vorbis 1.0 and low anchor 2.7.

No encoder handled biblio very well.

I'll share this discovery I had on sample 18 (the wizard). From my results log: "At this sample I notice that some encoders are doing well at certain parts of the sample and worse at others. If I focus on a part in the beginning, quickly put the sliders to a rough area, then focus on some other part (in order to fine tune the ratings), the ratings from the first pass often don't apply. Then we must decide which failure is more important.

For example, here encoder 3 was better than the others in the first few seconds. But much worse once the vocals came in at the end."

Did anyone else notice this at any point?

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #18 –
Quote from: IgorC on
Thank you for result. I found my results in anonumous37xxx.txt

But some *.txt files haven't any ABX results. Only marks. It's seems to be normal. Why?


ABX testing is optional in these tests.  Perhaps that should be made more clear in the instructions, if it isn't already.

Thanks for the interesting test, Sebastian.  Looks like lots of people were interested.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #19 –
Quote from: ff123 on
ABX testing is optional in these tests.  Perhaps that should be made more clear in the instructions, if it isn't already.

Can you g?ve, please, d?rect l?nk where it says that.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #20 –
Quote from: IgorC on
Quote from: ff123 on

ABX testing is optional in these tests.  Perhaps that should be made more clear in the instructions, if it isn't already.

Can you g?ve, please, d?rect l?nk where it says that.


It's not directly stated what is required and what is optional.

Sebastian's readme file says to consult this page:

http://ff123.net/64test/practice.html

That tutorial should probably be updated to at least show screenshots of abchr-java.  ABX is emphasized so much on HA that it may come as a surprise to some people that not all double-blind tests require this type of repeated result.

ff123

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #23 –
Quote from: Junon on
Quote from: Sebastian Mares on
Anyways, congrats to Nero and its devs for a nice low-bitrate codec.


Though I'm even more impressed about how the new Windows Media Audio 10 Professional codec performed. As we all know, VBR can drastically increase the overall sound quality compared to plain CBR. But although the codec was in a clear disadvantage compared to its antagonists, it was still able to rank as 2nd, with its result not being too far from Nero.


I wouldn't be so sure about almost mythical powers of VBR at such low bit rate.

For example, VBR does not do any wonder for Nero HE-AAC @48 kbps:

http://www.hydrogenaudio.org/forums/index....showtopic=41191

As you can see, for Nero HE-AAC 48 kbps, CBR and VBR were pretty much the same, VBR being marginally better.  And, Nero's VBR implementation is pretty good as it could be seen from this test (German Speech sample - average bit rate 31 kbps - and the codec was still performing best on average - even compared to much higher bit rate contenders)

So, I strongly doubt that usage of VBR in WMA codec, even if it could be forced to give average 48 kbps (which was not possible) would change the score so much, that it would make statistical difference.

Multiformat Listening Test @ 48 kbps - FINISHED

Reply #24 –
Very interesting results. Not that I have use for such low bitrates, but very impressive performance by some.

Ah, found myself as anonymous12 
 
SimplePortal 1.0.0 RC1 © 2008-2020