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1
The preset box is rather unusual among similar software. Being a combo-box that can be typed into, it cannot be unfolded by clicking anywhere but on the downarrow. The width of it is also quite small for a descriptive title. This issue is shared with the Converter dialog.

A better design in my opinion would the one used in Sound Forge. The listbox, stretching along the top edge of the dialog, is clickable in its entirety and loads the preset immediately in one click. Upon clicking the Save As button, a new small dialog pops up with a combo box where one can type a new name or select an existing one to be overwritten.
2
Maybe. Your comment just implied everyone uses this app like you do and you speak on behalf of everyone, who, more than likely all use this app in different ways. 

I've 2 presets for lossy and lossless media. Two different paths same title formatting, move all files, delete empty folders.

Keeping it simple and intuitive, like my initial suggestion.

3
Right, and maybe if you noticed that I'm not the developer, you'd realize I probably carry zero weight in whether such an option would be adopted. So maybe my post was rather pointless passive aggression.
4
General Audio / Re: 352.8/384khz playback with ASIO on Foobar
Last post by DVDdoug -
Quote
I am testing this product which will become commercial after few months.
Maybe it's a good thing you're testing it!  Maybe you've discovered a defect, or a feature that's not perfected yet.

In any case, you should be able to get some help from the manufacturer (or whoever you're working for).
5
Maybe, you didn't see the part where I wrote autoload checkbox. Maybe this 3rd time might make it clear.

No need for the passive aggressive answer. Relax, it was just a suggestion.

6
I might be confused about the problem, but the audio CD player should be playing at 1X and it shouldn't care about the speed rating of the disc or the speed at which it was actually burned.
Whether it plays at 1x or at higher speeds using buffering, should make no difference. Unless the recording speed is recorded into subcode of the lead-in, which normally isn't the case, the player has no way of knowing at what speed the disc has been recorded.

I haven't seen a CD player for 20 years or so, that would not use buffering.

There was a time when you could get a "better burn" at slower speeds.  I don't know if that's still true or if burners have improved.    But with newer-faster burners, I assume the slowest speed works as well as the slowest-speed on an older, slower, burner. It's been awhile since I've bad any "burning problems" and no longer pay much attention to the speed.
Slower burns made more sense with slower hardware in general. Buffering was complicated and there was a problem of "buffer underrun" should it take too long to send data to the recorder. These days (anything post ca. 2005) it's like I said in my previous post, where the hardware actually has a harder time recording on slower speeds than on higher speeds.

You may have a bad batch of blank discs.  You might try a different brand, or just a different batch.   
Also, some players don't like all of the recordable CD formulations. It seems some older players don't like the Azo dye.

Or you may be right that the CD player is wearing-out.  The CD player in my car deteriorated and started having trouble with some burned discs, then it got to the point where most burned CDs wouldn't play, but commercial CDs were (mostly) fine.  I got it repaired and it was OK.  (Now I have an adapter for it, and I play my iPod in the car.)
Them wearing out is usually down to dirt and dust. I've brought several of these back to life simply by cleaning them and especially removing grime with isopropanol from the lens assembly which is basically just floating inside a magnetic field.
Another common failure mode, is the lithium grease turning to gunk.

A manufactured CD has a physical pits, i.e. indentations in the aluminium are physical indentations. Recorded discs have a dye which basically becomes darker in places where the recording laser has been fired on, which makes it less reflective. So a recorded CD is always only an approximation of a pressed CD. The reason why older players seem to break down, is because they rely more and more on the forward error correction. While the SNR of pressed CDs and a dirty lens is usually enough with the error correction to produce a decent result, while it's usually too little to work with. When the error correction is unable to reconstruct the bits, the frame will get rejected, making a CD "skip".

Having said that, recorded CDs - some dye formulations at least - break down over time. Once they get so far gone the error correction cannot reconstruct them, they're unreadable.

I haven't used optical media beyond DVDs, so I don't know about BD dye formulations, how they hold up in players, etc.
7
Yes, I really want to have to remember a name and type it in manually to save over an existing preset, just so that selecting one can automatically load it. You know, because saving clicks is really important when you change your presets every 5 seconds.

So far, you seem to be the only person likely to be pleased by this sort of functionality.
8
I get what your saying. But there's very few settings (6) to warrant that.

Couldn't you just create the same name in the editbox and then click save to override the same one. Even if you got the name slightly off you could just delete the other one. It's just not normal behavior of dropboxes of that nature and just feels awkward to use.

Like I said, an autoload preset checkbox would make everyone happy. Which would also allow users to do as you say.

9
It looks like faac is missing two key AAC features: intensity stereo and perceptual noise substitution...

LAME MP3 encoder has no intensity stereo nor PNS ... and yet it's better than FAAC at 64-96 kbps. 
http://d.hatena.ne.jp/kamedo2/20111029/1319840519

I'm not a dev but as far as I know PNS is only useful at 32-64 kbps. And that ranges belongs to HE-AAC. There is no reason to use LC-AAC instead of HE-AAC at such low bitrates. Intensity may be useful at 96 kbps  and lower ... maybe or maybe not. That will depend how smart implementation will be.   :-X
10
If I recall correctly, one beep when the rip is done, two beeps when the external compressor is done. Undeleted wav files may be due to closing EAC before the external compressor is finished.