Re: Mobile Fidelity's "analog" remasters - looks like we missed out on the popcorn?
Reply #20 – 2022-08-06 10:19:46
How a Phoenix record store owner set the audiophile world on fire Read the entire article. And of course the last paragraph says what we knew. And second-to-last: Wood says that MoFi decided to add DSD not for convenience but because its engineers felt they could help improve their records. [...] Having a file allows them to tinker with the recordings if they’re not pleased with a test pressing and make another. So ... PCM then?! And a few excerpts, my emphasis in bold:At MoFi’s headquarters, Esposito looked at tapes and machinery the company uses to master its records. He also saw vintage packaging and advertising materials for past releases, including mock-ups for Beatles reissues. Then he took out his Panasonic camcorder and asked Wood if it was okay for him to set up and do an interview with the three mastering engineers he had met. No problem, they said. [...] The engineers, who had stressed the use of tape and working “all analog” in the past, didn’t hesitate to reference the company’s embrace of Direct Stream Digital technology. Davis, the owner, not only didn’t invite Esposito but also didn’t learn about the visit until after Wood had extended the invitation. He tried to get to Sebastopol for the tour but said that a long line at a rental car check-in left him arriving at MoFi headquarters only after Esposito was finished. By then, the damage was done. Last week, Wood was asked whether he regretted the interview with the engineers. He broke down. “I regret everything, man,” he said. Davis also did not appreciate the interview. Music Direct’s stereo equipment business brings in revenue of more than $40 million a year, and MoFi earned about $9 million last year. But the record company has just a handful of full-time staffers and no crisis-management plan. He doesn’t blame the engineers for what happened“I mean, it was not a well-thought-out plan,” says Davis. “Let’s put it that way.” And then about how "sourced from" or "mastered from" original tapes doesn't rule out a digital step in the meantime. But, someone has tipped off the Post:In 2020, Grant McLean, a Canadian customer, got into a debate with a friend about MoFi’s sourcing. McLean believed in the company and wrote to confirm that he was right. In a response he provided to The Post, a customer service representative wrote McLean that “there is no analog to digital conversion in our vinyl cutting process.”