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Topic: Article: Why We Need Audiophiles (Read 499418 times) previous topic - next topic
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Article: Why We Need Audiophiles

Reply #700
As I said in the article, the codecs used were the Fraunhofer, as implemented in Adobe Audition, or AAC in iTunes/Quicktime.


The Fraunhofer codec has long been surpassed in its quality*. Try this one if you want the state of the art. For AAC you should prefer encoding through Quicktime directly over encoding in iTunes, unless you want 256kbit/s ABR. Then you can use the new iTunes plus preset and still get the highest conversion quality as I have analyzed here. You need iTunes > 8.0 for the latter. The Nero AAC codec has shown to be even more robust against ABXing and could deliver better quality in some cases.


*Quality in the sense of the inverse number of known positively ABXable "killer" samples.


_____________________

BTW, could anybody explain in short words what the "peanut gallery" idiom means in English?

Article: Why We Need Audiophiles

Reply #701
That phrase doesn't make much sense in the context of your paragraph, so I didn't pay much attention to it. But now the question is raised. So you still stay "on the side" of pseudoscience even when you don't believe it? How intellectually honest (and sorry to keep repeating that phrase, but it can't be said enough times) is that?

Also, you seem to be making another mistake that most people just coming to discussions about science vs. pseudoscience make. You're assuming right off the bat that those are two equivalent points of view. Do you think creationism and evolution must be treated as equal theories too?
I obviously chose the side which appeared to be the most calm. Is that intellectually dishonest? I merely exchanged an awful position (B & W thinking) to one that is less worse (calmness). Am I therefore a traitor to my own intellect?
If you think one side is any more right or wrong because of calmness, niceness or rudeness, then yes. If you're choosing people to invite to your next dinner party, then maybe you're right to choose the nice ones.

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Here in this thread science vs. pseudoscience occupy two sides: left & right. I´m not assuming, I´m observing. As proof just read it again. You´ll find that there aren´t any shades of grey.

You're assuming based on mislead observations. The misleading seems to be done by your belief that niceness leads to being "right" somehow. Or at least right enough for you to take "their side".

I don't know exactly what you mean by "left & right". You can say up & down, 1 & 2... it's ambiguous, don't know what you're trying to get at. Are you trying to say that science and pseudoscience are two equivalent positions, intellectually and philosophically? That they both deserve the same time and attention from people seeking truth?

Article: Why We Need Audiophiles

Reply #702
pseudoscientific people tend to get VERY offended at the first criticism of their ideas and see it as personal attacks (religious people doubly so).


At the risk of it being assumed I am labeling myself as "pseudoscientific," it should be noted that I haven't responded angrily in this thread to criticisms of my writings and statements. What has annoyed me are the personal remarks made about my behavior, my income, my status, my education, my ethics, etc, none of which have anything to do with my opinions on audio.


I did say "tend". I haven't been following your posts, so I can't really say how pseudoscientific you are. What I have seen though, especially in Stereophile, is very wild claims. Green paints for CDs come to mind right off the top of my head.

Article: Why We Need Audiophiles

Reply #703
Cavaille, you do raise some good points, but not without some I must object to.

Personally, I prefer to be on the side of Mr. John Atkinson. So far he appeared to be a really nice and charming person. He stayed polite and calm when others already were heated up. If that is a character feat of subjectivists I certainly stay with them - if only for that particuar reason. Though I don´t think that this is true. Because I believe in reasonable people, arguing and discussing friendly.
Like I said before, I too am more or less impressed with how JA keeps his debates cool. That said - just because some people here are acting hotheaded doesn't mean they're not in the right. I've gravitated towards a (slightly) more moderate position on this whole thing because of the facts on the ground, and not because of the (im)politeness of various factions. I urge you to do the same. You seem to be getting close to ad hominem territory by dismissing peoples' comments on their emotional nature.

I don't think many complaints about JA (and Stereophile) as a whole are valid. But I still think many are. The goal here is to state one's claims assertively and without hyperbole.... which is surprisingly hard to do. Those of us reading must not be prejudiced by others's emotions and should judge their statements impartially.

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Regarding Mr. Fremer he is obviously a not so calm person. In his posts he displays a lot of anger. In that matter he is not so different than most of you: he furiously defends his positons.
Believe it or not, I think that was his good face

Seriously, he defended his position a lot better than I was expecting. He at least convinced me to stop cracking jokes about him.

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And as one person said before all of this comes down to belief. I´m not looking into a discussion, I´m looking into a religious war, each side missionaring the opposite side. Coming from Germany I truly believe in the Age of Enligtenment and its outcome. Following this thread my hopes in a better future are shattered! We apparantly substituted the bible for AUDIO. And I almost thought that this was over in western civilizations...
I urge you (and perhaps JA!) to study up on the lossless vs. redbook discussion that I was involved in a few weeks ago. That goes into quite a lot of detail on why people like us are so upset over all of these discussions - and particularly, in my opinion, why some situations exist where DBTs are literally useless, but that reflects very poorly on those opposed to them.

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Do I believe in DBT? Yes and No. If I would be forced to make a DBT with music I don´t know (e.g. Rock, Pop, Rap) I most certainly would fail. I couldn´t find a difference between 192 kBit/s & 320 kBit/s. But how could I? The reason is easy: the music and its sound is not known to me. I´m not even interested in it. How could I then find differences?
My experience says otherwise. For specifically chosen samples, I can get accustomed to them in a matter of minutes in the prelims to an ABX test. Some of my finer ABX moments have happened with music I was not all that accustomed to, and might only have listened to 4-5 times beforehand.

While it might certainly take skill to spot artifacts out of the blue - requiring, for instance, specific training or innate sensitivity to certain distortions - from what I have seen on this forum, everybody has a pretty decent shot at identifying a problem in an ABX test once one person has observed it.

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When it comes to orchestral music I certainly would be able (and I´m able) to hear differnces. I did post some DBT here before,
Did you?

Sorry - I searched your post history regarding the 44.1/96 thread, and you claim doing a test, but you never actually posted the results AFAIK. Am I missing a link?

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together with audio samples to show that differences existed between certain methods of upsampling 44.1 kHz material to 96 kHz. I wanted to prove that one can actually recreates 60-70% of the original 96 kHz sound and that it can be heard with a DBT. Guess what? I offered everything but no one bothered to do a DBT. I didn´t even expect this because it was a measurable & sonically observable test. It proves just one things: if something isn´t according to the agenda of objectionists you´ll simply ignore it. But since many of you advertise that music coded in a lossy codec is not different to the original wave-file it came from I hardly doubt now that there is any interest in testing anything higher than 44.1. I guess you would say that one can´t hear frequencies over 20 kHz anyway. Well there goes the whole shebang... so much for that.
Again, read up on my lossless vs. redbook thread above.

People will only sincerely engage in DBTs they believe they have any chance at succeeding at. Expectation bias is otherwise extremely high. There is already a preponderance of evidence that 44.1 is entirely acceptable - from mainstream psychoacoustics, a number of blind tests already conducted, etc. If you really could score a good result, I think that would spur a lot of people to try it... but I couldn't spot evidence that you could. If you look back in the HA archives you will see a few threads where many people have attempted this test in the past, and failed.

More generally, people do not spend time trying to solve problems they believe they already know the answer to. And there are a lot of those floating around here, and the objections are often incredibly weak and unconvincing.

"Objectivists" do not have an "agenda". But they/we do have a paradigm, in the Kuhnian sense, of how audio works. An extremely well justified paradigm, mind you. And 96k-vs-44.1k differences fall way, way outside that paradigm. Without truly compelling evidence, the most plausible explanation for such differences is that such perceptions have nothing to do with ultrasonics per se - they are a sign of a placebo effect, or a sign of massive intermodulation into the audible range, etc.

"Objectivists" are not dogmatic. Look back at the reconstruction filter debate - I think the discussion of the issue was incredibly strong, and the issues involved were not dismissed out of hand. One guy did get a 5/5 with a specially crafted (and perhaps pessimal) filter design. Is that knock-down evidence? No. More testing needs to be done. But it is very suggestive, and does appear to mean that the "accepted wisdom" that reconstruction filters are largely irrelevant might be on shakier grounds than we believed.

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DBT are therefore flawed (WARNING: opinion) in my mind. With music I know I´m able to pass them, with music or musical styles not known to me I fail. For a true and working DBT you´ll need IMO experience. Most of the time you have to know what you are looking for.
Well, if you're wanting to draw some sort of universal conclusion from them, of course they're "flawed". But if you're doing them for yourself, they are never "flawed". The tests represent your hearing ability and environment at the moment you took the test, and you and others are free to interpret that in as universal or confined a meaning as they like.

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Subjectivist Warning:[/b] Now for some really wonderful, mad and subjective claims. If this is a TOS violation so be it. What comes now isn´t even worse to things that have been stated here before. I do a lot of upsampling for my personal listening pleasure. When upsampling I keep aliasing "artifacts" on purpose. Most of you would call them artifacts while in fact they are "imaging" products (at least with iZotope RX Advanced). At the same time I don´t want to waste space so I tend to use lossy codecs. I´ve tried every codec there is. AAC, OGG, WMA-Prof and WavPack lossy are able to use 24/96 as input. You can read the results here at TheSoundtrackZone (WARNING: highly subjective). I decided in favor of WavPack lossy - and I picked it by ear, only be ear. I guess this makes me a subjetivist - you can now start the usual bashing. As a sidenote you may want to read the other stuff at The Hifi Wonderland, I guess you´d find it pretty hilarious and entertaining.
Not really. Your own preferences are your own preferences. Some people like tube amps, some people like oversampling, some people like massive amounts of eq. One's opinions are to be respected. I use a headphone amp without a particularly good objective reason - that doesn't make me a subjectivist.

What is not to be respected are statements of fact, or superiority, based on false justifications. It's one thing to like tube amps, but it's an entirely different thing to justify that preference for specious reasons. I don't defend using my headphone amp, and you don't defend using upsampling. And that's the way it's supposed to be! I keep going back to that linked thread... I liken DBTs to a higher form of communication. Without them, one's subjective statements are intrinsically less meaningful, because of all the biases we observe in ourselves (and observe in others and in the sociological literature).

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On the whole, I find this thread pretty pointless right now. We (including me) are people who discuss matters that won´t interest 99% of the world population. They are happy with their iTunes stuff, their MP3, their iPod. That´s the normal way of things. For us it is different: we are geeks, true nerds. I would go so far as to describe some of us as basement dwellers. We all need to get a life. For that I have my boyfriend... oh, did I mention that I´m gay? All this personal message writing about marriages somewhere in the states really is stupid. I feel strongly offended by that... well actually not so strongly. At least I can think of some of you as childish and by that keep my own arrogance.
I agree that very little of this debate impacts the audio buying decisions of most people. But it remains an extremely important debate when related to formats - particularly CD vs MP3, and CD vs vinyl/highres. It is also important in the context of midrange consumers like myself.

 

Article: Why We Need Audiophiles

Reply #704
That phrase doesn't make much sense in the context of your paragraph, so I didn't pay much attention to it. But now the question is raised. So you still stay "on the side" of pseudoscience even when you don't believe it? How intellectually honest (and sorry to keep repeating that phrase, but it can't be said enough times) is that?

Also, you seem to be making another mistake that most people just coming to discussions about science vs. pseudoscience make. You're assuming right off the bat that those are two equivalent points of view. Do you think creationism and evolution must be treated as equal theories too?
I obviously chose the side which appeared to be the most calm. Is that intellectually dishonest? I merely exchanged an awful position (B & W thinking) to one that is less worse (calmness). Am I therefore a traitor to my own intellect?
If you think one side is any more right or wrong because calmness, niceness or rudeness, then yes.
*sigh* I give up on you.

Here in this thread science vs. pseudoscience occupy two sides: left & right. I´m not assuming, I´m observing. As proof just read it again. You´ll find that there aren´t any shades of grey.

You're assuming based on mislead observations. The misleading seems to be done by your belief that niceness leads to being "right" somehow. Or at least right enough for you to take "their side".

I don't know exactly what you mean by "left & right". You can say up & down, 1 & 2... it's ambiguous, don't know what you're trying to get at. Are you trying to say that science and pseudoscience are two equivalent positions, intellectually and philosophically? That they both deserve the same time and attention from people seeking truth?
Left: Side 1 - Right: Side 2. And if one wants to know everything and would like to judge unbiased, yes, then he/she must consider all possibilites out there. Even the most hilarious ones. I always was for knowing every opinion and every side - in a calm way (no pun intended).
marlene-d.blogspot.com

Article: Why We Need Audiophiles

Reply #705
I realize I didn't address an earlier question on this. As I said in the article, the codecs used were the Fraunhofer, as implemented in Adobe Audition, or AAC in iTunes/Quicktime. All the spectral analyses were performed on the digital data using a PrismSound DScope, there was no conversion back to analog. If I remember correctly - my lab notes are in the office and I am at home - I played back all the files (other than the FLACs) using iTunes on a Mac TiBook to route the decoded PCM to the AES/EBU output of a Metric Halo MIO2882, which in turn fed the AES/EBU input of the DScope. If my memory is faulty, I will post a correction.

John Atkinson
Editor, Stereophile
John, if you can wait a bit, I'd like to run off a really quick proof-of-concept WAV/MP3 plus plot demonstrating that such an issue is not intrinsic to the MP3 format and is likely due to quantization noise.

Article: Why We Need Audiophiles

Reply #706
As I said in the article, the codecs used were the Fraunhofer, as implemented in Adobe Audition, or AAC in iTunes/Quicktime.


The Fraunhofer codec has long been surpassed in its quality*. Try this one if you want the state of the art. For AAC you should prefer encoding through Quicktime directly over encoding in iTunes, unless you want 256kbit/s ABR. Then you can use the new iTunes plus preset and still get the highest conversion quality as I have analyzed here. You need iTunes > 8.0 for the latter. The Nero AAC codec has shown to be even more robust against ABXing and could deliver better quality in some cases.

*Quality in the sense of the inverse number of known positively ABXable "killer" samples.


Thanks for the info. When I have a moment, I'll repeat some of the work using more modern codecs.  Remember I did all this work 18 months ago. But I must make the point that I was not so much interested in cherry picking the very best codecs but wanted to use _typical_ codecs.

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BTW, could anybody explain in short words what the "peanut gallery" idiom means in English?


In French "le clacque." Not particularly complimentary, hence my trying to make it clear that I was echoing Arny Krueger's usage.

John Atkinson
Editor, Stereophile

Article: Why We Need Audiophiles

Reply #707
@rpp3po  thanks for the links lol.

All I saw was a single member, in the audiophile corner of the debate.
I did notice you & some others trading some personal arrows with him, still not convinvced of him being an audiophile/phool etc.

since you did call him a "collective assimilation attempt"  , I have to ask you,
a single HA member playing for the audiophile team, a tester in a lossy format development project,
with positive ABX results & he is now banned ?
That little missing bit of info, smells funny bro.


If this is *all* you think that's going on in this thread, maybe you aren't reading enough of it....or maybe you shouldn't read it at all. 
May I direct you to the Stereophile forum?

Now why would you travel that personal road with me ?
No, you may not.
What do you mean by that ?
Is the Stereophile forum somewhere you send .. erm, who exactly ?

Correct me if I am wrong, I just had a look in the Stereophile forum,
& noticed you, sir, are a member in the Stereophile forum,
So I can reply to you here instead, if that's OK.

All I was saying was people like you have a long history & a lot against just about everything/one, & it carries, for lack of a better term, making it quite hard to gather the audio related bits, nothing personal.

No worries though, I will refrain from expressing anything of the sort in the future.
I did notice that you had your fight with this now banned B0RK guy,
& have zero interest in making the same mistake, so please do not offer me any more personal direction, I can clearly see where you are going with this.

Article: Why We Need Audiophiles

Reply #708
That phrase doesn't make much sense in the context of your paragraph, so I didn't pay much attention to it. But now the question is raised. So you still stay "on the side" of pseudoscience even when you don't believe it? How intellectually honest (and sorry to keep repeating that phrase, but it can't be said enough times) is that?

Also, you seem to be making another mistake that most people just coming to discussions about science vs. pseudoscience make. You're assuming right off the bat that those are two equivalent points of view. Do you think creationism and evolution must be treated as equal theories too?
I obviously chose the side which appeared to be the most calm. Is that intellectually dishonest? I merely exchanged an awful position (B & W thinking) to one that is less worse (calmness). Am I therefore a traitor to my own intellect?
If you think one side is any more right or wrong because calmness, niceness or rudeness, then yes.
*sigh* I give up on you.Sorry,
I edited in one more sentence there that might make it clearer. But... you're giving up on me? Thank you for your thoughtful arguments by the way. You haven't really made your point across though have you? How am I being black & white exactly? What are your arguments for treating pseudoscience with as much respect as to science? Cause I don't see any, just blank statements.

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Here in this thread science vs. pseudoscience occupy two sides: left & right. I´m not assuming, I´m observing. As proof just read it again. You´ll find that there aren´t any shades of grey.

You're assuming based on mislead observations. The misleading seems to be done by your belief that niceness leads to being "right" somehow. Or at least right enough for you to take "their side".

I don't know exactly what you mean by "left & right". You can say up & down, 1 & 2... it's ambiguous, don't know what you're trying to get at. Are you trying to say that science and pseudoscience are two equivalent positions, intellectually and philosophically? That they both deserve the same time and attention from people seeking truth?
Left: Side 1 - Right: Side 2. And if one wants to know everything and would like to judge unbiased, yes, then he/she must consider all possibilites out there. Even the most hilarious ones. I always was for knowing every opinion and every side - in a calm way (no pun intended).

So that just means that you don't understand why scientific claims are more valid than pseudoscientific claims. You don't seem to get the meaning of evidence and falsifiability. Even in the realm of wild claims, some have more validity than others because of the virtue of being (1) clear and (2) falsifiable. Pseudoscientific claims fail in both cases. If we had infinite time, sure, why not "look into" invisible dragons in our garages. Until then, I'll stick with reasonable endeavors.

Article: Why We Need Audiophiles

Reply #709
Heh. This is more interesting than I thought.

I will say, for now, that John may be at least one-quarter right in his analysis.

Article: Why We Need Audiophiles

Reply #710
John, if you can wait a bit, I'd like to run off a really quick proof-of-concept WAV/MP3 plus plot demonstrating that such an issue is not intrinsic to the MP3 format and is likely due to quantization noise.


I'd be interested in your findings. Certainly, every lossy-compressed file has to be converted to PCM in order to be presented to the DAC, thus I felt FFT analysis of the equivalent PCM files was a legitimate analysis technique.

Regarding FFTs, I have checked what notes I have here. I used a 32k FFT with the DScope using the 7-term PrismSound window, which has very low leakage between bins. I also repeated all the work using Adobe Audition's 32k FFT and a Blackman-Harris window, but the results were not significantly different. It is probable that those data were used to generate the plots with SigmaPlot (which is what I use to create many of the graphs published in the magazine).

John Atkinson
Editor, Stereophile



Article: Why We Need Audiophiles

Reply #711
When you analyze Bjorn's recent use of language, overall style, and formatting there is at least some reason to believe that he might be B0RK. The only difference has been a generally more polite appearance (he has made bad experiences with the opposite) and the lack (almost) of weird punctuation. The date he joined HA (and B0RK left) and both names' geographical origin would also be a match.

But this may solely exist in my head. Just an idea...

since you did call him a "collective assimilation attempt"  , I have to ask you,
...


That referred to the television series Star Trek and its BORG character/collective, that always threatened to 'assimilate' everything. A link to a short clip had been provided earlier.

But I must make the point that I was not so much interested in cherry picking the very best codecs but wanted to use _typical_ codecs.


For iTunes and AAC you are right. But LAME should have several times the market share of the old Fraunhofer (if not 10x). Adobe Audition is no mainstream encoding application.

Article: Why We Need Audiophiles

Reply #712
John, if you can wait a bit, I'd like to run off a really quick proof-of-concept WAV/MP3 plus plot demonstrating that such an issue is not intrinsic to the MP3 format and is likely due to quantization noise.


I'd be interested in your findings. Certainly, every lossy-compressed file has to be converted to PCM in order to be presented to the DAC, thus I felt FFT analysis of the equivalent PCM files was a legitimate analysis technique.

Regarding FFTs, I have checked what notes I have here. I used a 32k FFT with the DScope using the 7-term PrismSound window, which has very low leakage between bins. I also repeated all the work using Adobe Audition's 32k FFT and a Blackman-Harris window, but the results were not significantly different. It is probable that those data were used to generate the plots with SigmaPlot (which is what I use to create many of the graphs published in the magazine).
Thanks for the details on the FFTs. My spectrum plots (to hopefully follow soon) use a program I rolled in LabVIEW; it's configured right now to average power spectra with a 75% overlap, 4 second window length, 7th order Blackman-Harris window. I'll let ya know if I tweak any of those parameters when I post results. Samples will be 2-channel and spectrum plots will show L+R response.

Regarding your test setup... as I believe Stereophile alluded to a few years ago, using a complete playback stack, rather than doing the analysis on the pure MP3 file decoded to WAV/AIFF, opens you up to the vagaries of whatever format the digital data is passed around as. How sure are you that iTunes was decoding to 24 or 32 bits? How sure are you that the Halo was outputting the full 16 bits? It seems unfortunate to me that an article focused solely on intrinsic faults with lossy encoding would choose to use a test framework that did not isolate itself to focus solely on the lossy format in question.

Article: Why We Need Audiophiles

Reply #713
BTW, could anybody explain in short words what the "peanut gallery" idiom means in English?


American English Idiom.

http://en.wikipedia.org/wiki/Peanut_gallery

"A peanut gallery is an audience that heckles the performer. The term originated in the days of vaudeville as a nickname for the cheapest (and ostensibly rowdiest) seats in the theater; the cheapest snack served at the theater would often be peanuts, which the patrons would sometimes throw at the performers on stage to show their disapproval. The phrases "no comments from the peanut gallery" or "quiet in the peanut gallery" are extensions of the name.

"In the late 1940s the Howdy Doody show adopted the name to represent their audience of 40 kids.

Article: Why We Need Audiophiles

Reply #714
Like I said before, I too am more or less impressed with how JA keeps his debates cool. That said - just because some people here are acting hotheaded doesn't mean they're not in the right. I've gravitated towards a (slightly) more moderate position on this whole thing because of the facts on the ground, and not because of the (im)politeness of various factions. I urge you to do the same. You seem to be getting close to ad hominem territory by dismissing peoples' comments on their emotional nature.

I don't think many complaints about JA (and Stereophile) as a whole are valid. But I still think many are. The goal here is to state one's claims assertively and without hyperbole.... which is surprisingly hard to do. Those of us reading must not be prejudiced by others's emotions and should judge their statements impartially.
You´re right. I guess it lies within my character. Also, my mother uses to tell: "Persons who are screaming are always wrong" - and I tend to believe her. 

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I urge you (and perhaps JA!) to study up on the lossless vs. redbook discussion that I was involved in a few weeks ago. That goes into quite a lot of detail on why people like us are so upset over all of these discussions - and particularly, in my opinion, why some situations exist where DBTs are literally useless, but that reflects very poorly on those opposed to them.
I didn´t read that, sorry. But I will.

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My experience says otherwise. For specifically chosen samples, I can get accustomed to them in a matter of minutes in the prelims to an ABX test. Some of my finer ABX moments have happened with music I was not all that accustomed to, and might only have listened to 4-5 times beforehand.
Lucky you. I tried and I couldn´t. Everytime I meant to have heard something with, let´s say, "Hard Candy" from Madonna the ABX proved otherwise. I did my whole process of upsampling, erasing distortions etc. anyway - just to be sure. Then again, with let´s say "Franck: the complete Masterworks for Organ" by Michael Murray it was very easy.

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Sorry - I searched your post history regarding the 44.1/96 thread, and you claim doing a test, but you never actually posted the results AFAIK. Am I missing a link?
You did not. I didn´t post my own test because I could very easily have been manipulating it. Which of course shows what I maybe thinking about others here - assuming that people are manipulating in order to meet their agenda. I myself wouldn´t have manipulated - but I wanted to forgo any possibilty of that kind of discussion. This presents myself in an unflattering light but I´m willingly accepting this.

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"Objectivists" are not dogmatic. Look back at the reconstruction filter debate - I think the discussion of the issue was incredibly strong, and the issues involved were not dismissed out of hand. One guy did get a 5/5 with a specially crafted (and perhaps pessimal) filter design. Is that knock-down evidence? No. More testing needs to be done. But it is very suggestive, and does appear to mean that the "accepted wisdom" that reconstruction filters are largely irrelevant might be on shakier grounds than we believed.
Man, I would love to believe you. But in this particular thread I´m afraid I can´t find anything related. On the other hand, my own statement that I can influence the upsampling characteristics in order for them to "sound" better basically is the same since upsamplers are using a similar reconstruction filter. I basically claimed that I found the one that closely resembles an original 24/96 source.

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Not really. Your own preferences are your own preferences. Some people like tube amps, some people like oversampling, some people like massive amounts of eq. One's opinions are to be respected. I use a headphone amp without a particularly good objective reason - that doesn't make me a subjectivist.

What is not to be respected are statements of fact, or superiority, based on false justifications. It's one thing to like tube amps, but it's an entirely different thing to justify that preference for specious reasons. I don't defend using my headphone amp, and you don't defend using upsampling. And that's the way it's supposed to be! I keep going back to that linked thread... I liken DBTs to a higher form of communication. Without them, one's subjective statements are intrinsically less meaningful, because of all the biases we observe in ourselves (and observe in others and in the sociological literature).
Oh, you´re so right. On the other hand I do believe that the techniques I´m using for regular use on my little home system are vastly superior to the ones normally used (which are, as you said "generally accepted"). They are not even remotely lossless (upsampling, reducing effects of Loudness-War and so on). Sometimes I even do think of most of the people out there (and forgive me, also here) as a bunch of dumb sheep following some advice written long time ago. When it comes to Audio I never took anything for granted, even if it grounds itself in scientific measurments. History has shown that measurments are only the beginning and over the years the methods of measurements have evolved. And they will further do. I firmly believe that some things can´t be measured yet. Take the ear for example. It is not the complex machine most believe it to be, because behind the ear comes the brain which in fact does the major work. Our ear does hear nearly everything (it filters something out though). But our brain decides what is useful and what not. The scientific research in that area is relatively young, so who can know what will come in the future? Is MP3 really transparent to us? I don´t mean by that that MP3 isn´t transparent, I´m just pointing out a possibility. The Hypersonic Effect is just another example, maybe it´ll be proven wrong in the future, maybe it´ll be proven right. Who knows? It would be unwise to assume that everything is written in stone.

All of this writing just to make clear that one should never take anything for granted - because that would avoid exploring new things. The same goes of course for Audiophiles who sometimes don´t believe in measurements. I believe in a healthy co-existence. By the way, I own a headphone amplifier too... beside the sound chosen for practical reasons because my Sennheiser HD-600 is very affected by the impedance of the Amp (the headphone itself has 300 Ohm). But you´re right, normally I restrain myself - because just uttering things like "This is better - and it is the only point of view I´ll accept" is just pointless, proves nothing and it is boring. But so many people here have done otherwise - which shines a not so bright light on the whole community.

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I agree that very little of this debate impacts the audio buying decisions of most people. But it remains an extremely important debate when related to formats - particularly CD vs MP3, and CD vs vinyl/highres. It is also important in the context of midrange consumers like myself.
If any of these people are happy with what they own that is fine with me. I´m happy too with my system. But if I come across something new to test (as hilarious it may be) and it actually proves to be good (for me) I´ll continue to use it. Then take my boyfriend. He got a PhD in science (physics & mathematics). He´s not interested in this kind of discussion. If I can interest him in it, he cares for the mathematical correctness. But when it comes to the music itself he isn´t scientific anymore (I jokingly say quite often that his PhD has to be removed because of his un-scientific approach to music) He refers to my headphone amp as my "new toy". He talks lovingly about my "electronic elves". He is not the type that comes running from the kitchen exclaiming: "My my, what have you done? Did you remove the carpets from the loudspeakers?" I can´t get him excited to CDs. He still loves his vinyl collection and his turntable, despite its major flaws and inconvenience. He says: "It´s so nice, warm and cozy." But then he listens to music completely different to mine. And I´m accepting that his music sounds nice over vinyl - whereas it sounds not so nice over my digital system. Some things are maybe in need to be flavoured in order to be appreciated. I can´t stand pops & clicks or digital distortions. He doesn´t mind them, he just doesn´t hear them. I want to make clear that he is not one bit interested in the quality. I did an easy comparisation for him just a few days ago. I played the Main Title from the movie "Batman" (1989), one time from the original Soundtrack, the other time from the re-recording Erich Kunzel did for the album "Fantastic Journey". He couldn´t hear any difference - while I could. I could also see them (the original soundtrack has no frequencies whatsoever below 80 Hz and has a huge & wide peak at 5000 Hz for 5 dB.) However I was not able to convice him that the TELARC recording is superior (which by any means it is). Reason: he just was not interested. And so are most people.

This brings me to starting point of this thread here: both sides (objectivist vs. subjectivist, which he and I are not actually) are there to challenge each other. I believe that this in combination with convenience and marketing brings true progress. We need both sides in order to evolve sonically. If the audiophiles find something new, let´s measure it. If we can´t measure it, maybe we can in a few years. If we can´t even then, well then they were wrong. We, being the geeks and nerds we are, are responsible for bringing new & improved methods of experiencing music to the people. And I believe that we owe it to them to do that calm, friendly and reasonable.
marlene-d.blogspot.com

Article: Why We Need Audiophiles

Reply #715
Regarding your test setup... as I believe Stereophile alluded to a few years ago, using a complete playback stack, rather than doing the analysis on the pure MP3 file decoded to WAV/AIFF, opens you up to the vagaries of whatever format the digital data is passed around as. How sure are you that iTunes was decoding to 24 or 32 bits? How sure are you that the Halo was outputting the full 16 bits?


I did do prior tests to ensure the bit transparency of the chain at all word lengths. (It's one thing I am paranoid about.)
 
John Atkinson
Editor, Stereophile


Article: Why We Need Audiophiles

Reply #716
Certainly, every lossy-compressed file has to be converted to PCM in order to be presented to the DAC, thus I felt FFT analysis of the equivalent PCM files was a legitimate analysis technique.


The problem with analyzing once-lossy-compressed files is not the conversion to PCM, but rather the problems with the simplistic kind of analysis that one can do by viewing a FFT.

Modern perceptual coders generally have relatively good performance with respect to traditional measures such as frequency response. That was not always so, but it is generally true today. Artifacts that are obvious in FFT analysis such as the usual brick wall filtering at or just above 16 KHz are not nearly as audible as things that don't generally show up very easily in FFTs.

Here is a page of relatively obvioius audible artefacts related to substandard MP3 coding:

http://ff123.net/training/training.html

After you hear these auidible artifacts, your challenge is to determine how you would use a FFT to expose them.

Article: Why We Need Audiophiles

Reply #717
I edited in one more sentence there that might make it clearer. But... you're giving up on me? Thank you for your thoughtful arguments by the way. You haven't really made your point across though have you? How am I being black & white exactly? What are your arguments for treating pseudoscience with as much respect as to science? Cause I don't see any, just blank statements.
You´re welcome. I was under the impression that I´ve made this particular point transparently clear. Or what would you want me to do? My basic argument for treating "Audiophiles" (you call it pseudoscience) the same as "objectivinists" (you call it science) is that one side needs the other one in order to evolve. I explained it in the post above. Also you imply that objectivists are scientists - which they obviously are not. Or does everyone of us here work in a laboratory or actually do scientific research with Audio at let´s say, a University? Maybe some of us - but I guess they are less than 25 %.

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You're assuming based on mislead observations. The misleading seems to be done by your belief that niceness leads to being "right" somehow. Or at least right enough for you to take "their side".
I tend to believe more in nice people, true. But I didn´t say that they are right and I don´t believe it either. I thought I made it clear that my personal choice only applies to this thread here - and only for the sake of talking reasonably to each other (which was by the way explained later in my post) if my memory serves me right.

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So that just means that you don't understand why scientific claims are more valid than pseudoscientific claims. You don't seem to get the meaning of evidence and falsifiability. Even in the realm of wild claims, some have more validity than others because of the virtue of being (1) clear and (2) falsifiable. Pseudoscientific claims fail in both cases. If we had infinite time, sure, why not "look into" invisible dragons in our garages. Until then, I'll stick with reasonable endeavors.
I don´t seem to recall doing some "wild claims". Please be so kind to provide an example. And if you choose to stick with reasonable endeavors, that is of course fine with me. But you also have to respect that I´ll stick with my "pseudoscientific" opinion, as you call it.
marlene-d.blogspot.com

Article: Why We Need Audiophiles

Reply #718
So, after my careful prosthesis.... we're wrong. Figure 2 in the MP3 article is correctly set up. There's no quantization noise in that plot.

Setup: I made a 1764hz sine wave in Audacity at a sampling rate of 44100hz - the frequency was chosen so that it was an integer factor of 44100, to avoid potential spurious harmonics in analysis. Amplitude is 0.1. The MP3 encoder is LAME 3.98b2 --vbr-new -V2, used from foobar2000. MP3 decoding was done in foobar2000. Both original file and foobar2000 decoded MP3 are in 32-bit WAV format. Quantization noise tests are done from Audacity with dither disabled and exporting to 16-bit WAV; I got the same results with fb2k.

These are power spectrum plots. I boosted them by 23db (20db for the 0.1 amplitude peak, 3db for the peak->RMS), so that the 1764hz spectrum peak is at 0db. The window length wound up being 1 second, with 75% overlap. 7th order Blackman-Harris window.

Here's a 1764hz sine wave spectrum plot, from a 32-bit WAV, amplitude 0.1 - the plot is boosted by 23db to make the peak equal to 0db. There are harmonic peaks but they are -160db down so they wouldn't even show up in John's plots. Noise floor is at the limits of double precision (-340db).




And this is the MP3. Lookie lookie, the non-fundamental peaks are bigger. Those, and the 1764hz sidebands, are more or less at the same levels that John plotted.




This is the original WAV converted to 16 bits without dither. Note that the non-fundamental peaks are substantially larger than for the MP3, and their spacing is largely different.



Finally, MP3 decoded to 16 bits without dither. I don't know what's going on here - some MP3 wizard is going to have to explain to me why I don't see any nonfundamental peaks AT ALL; even though I know I disabled dithering, it still looks like it is being applied. Maybe LAME does this internally?



The only conclusion I can reach is that John's numerical analysis is more or less correctly done. At least, whatever we're getting on the MP3 spectra, it's not because the output stages are not dithered.

Note, of course, that I said "we're wrong" without saying "John's right". I believe that point #2 of my summarized objections - that the whole notion of frequency analysis for the evaluation of lossy encoders is fundamentally flawed for the purposes of observed sound quality analysis, rather than its intrinsic qualities - still stands AFAIK.

I ran into a lot of other fun oddities related to the format - Audacity does not handle gapless properly, so some trimming is required to avoid spurious spectra if using that to decode; there is a rather shocking discontinuous amplitude jump when encoding a 1khz sine at -V7; etc. I do not believe those are pertinent because they do not explain what John plotted and whose effect are not really in question. Their audibility is an entirely different discussion.

Links to media files:

http://files.audiamorous.net/stereophile-mp3/sine-1764.flac
http://files.audiamorous.net/stereophile-m...e-1764-mp3.flac
  http://files.audiamorous.net/stereophile-m...4-nodither.flac
  http://files.audiamorous.net/stereophile-m...3-nodither.flac

Article: Why We Need Audiophiles

Reply #719
You imply a black & white thinking. Well, Reality doesn´t work that way because it truly is "shades of grey" though people love to embrace their prejudices.



All scientific claims are provisional.  That means they always only 'asymptotically' approach 'absolute' truth.  But that doesn't mean that it makes sense to think it's just as likely that there really ARE unicorns, as not.

Actually, some pairs of things really don't sound different.  And some pairs of things really do sound different.  Is that too 'black and white' for you?

Article: Why We Need Audiophiles

Reply #720
All scientific claims are provisional.  That means they always 'asymptotically' approach 'absolute' truth.  But that doesn't mean that it makes sense to think it's just as likely that there really ARE unicorns, as not.

Actually, some pairs of things really don't sound different.  And some pairs of things really do sound different.  Is that too 'black and white' for you?
I know that science aims at the absolute truth - in explaining nature and to gain knowledge about it. The more we know, the better. But I also know that this absolute truth can change (because of the gained knowledge). And Unicorns are a fine example because some 500 years ago people believed in them and they were a "fact" in daily lives. For example the royal throne of Denmark is (as it is claimed) made out of "Unicorn Horns". Now we know that Unicorns do not exist which renders that throne ridiculous.

And no, it is not too "black and white" for me. But then, even with things that appear to be on two opposite sides, there are always reasons for them existing that way. These reasons are part of "shades of grey".  As I´ve written before, nothing is written in stone (now the "shades": Where did I get this? Apparently from the Bible. Because the 10 Commandments were written in stone and according to christian belief they haven´t changed over the years. They maybe are an exception because since some 200 years they have been superseeded by official law (which definitely is not written in stone since it constantly evolves). But this is another off-topic discussion).

I wanted to make clear that most things are in constant flux, even if it is not perceived that way right now.
marlene-d.blogspot.com

Article: Why We Need Audiophiles

Reply #721
One's opinions are to be respected. I use a headphone amp without a particularly good objective reason - that doesn't make me a subjectivist.

What is not to be respected are statements of fact, or superiority, based on false justifications. It's one thing to like tube amps, but it's an entirely different thing to justify that preference for specious reasons. I don't defend using my headphone amp, and you don't defend using upsampling. And that's the way it's supposed to be! I keep going back to that linked thread... I liken DBTs to a higher form of communication. Without them, one's subjective statements are intrinsically less meaningful, because of all the biases we observe in ourselves (and observe in others and in the sociological literature).


One's opinions do not deserve respect by the mere fact of their existence or the sincerity with which they are held. 

*Your* opinion on headphone amps is to be respected because it is not overreaching. It recognizes its limitations in fact.  You are AWARE that you have no particular sonic reason to use a headphone amp and you ADMIT that.  Wholly admirable.  I can't imagine you writing a Stereophile review extolling its particular sonic virtues over another, as if they were demonstrable facts merely because you 'hear' them.

Undue deference to the fallacious idea that 'everyone's opinions are equally valid and worthy of respect' is a very American trope, IME.  Yet opinions can range from generous, deeply informed and well-thought out, to very misinformed and dismally stupid, or even hateful and evil.

Dichotomy between opinion and fact doesn't hold firm either, and one can't always hide behind 'it's just an opinion' -- how many opinions are actually wholly free-floating from *belief* that something is *true* (factual)?  Preference for green over red?
People have killed over  less.

Article: Why We Need Audiophiles

Reply #722
I know that science aims at the absolute truth.


One could say it 'aims' for it, but science is aware that it never 'reaches' it.  All scientific facts come with the proviso ...'until better evidence shows otherwise'.

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But I also know that this absolute truth can change. And Unicorns are a fine example because some 500 years ago people believed in them and they were a "fact" in daily lives. For example the royal throne of Denmark is (as it is claimed) made out of "Unicorn Horns". Now we know that Unicorns do not exist which renders that throne ridiculous.


Unicorns were never an 'absolute truth' -- and science doesn't converse in terms of 'absolute truth' today, it builds models based on available evidence and rational inference.  And you're missing my point.  Which is that accepting that 'absolute truth' is a fantasy does not mean every model is equally likely to be correct.  Some models really do have much more evidence for them than others. Some models are 'falsifiable', some aren't.

The evidence that some things 'really' don't sound different is really quite substantial.  As is evidence for some things 'really' do.  If the model needs adjusting it's up to someone to provide the new good evidence.  JA and the 'high end' are modestly industrious  about proposing theories why DBT doesn't work right for audio, or why CD players do sound different, or why Peter Belt's insanities *might* have something to them, but what  they don't offer is *good evidence*.  Instead we get stuff like presenting the difference file of an mp3vs source  to an audience primed to hear a demo comparing 'high resolution' (really neutral name, eh?) audio to CD and mp3. 


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I wanted to make clear that most things are in constant flux, even if it is not perceived that way right now.


    And some things really do seem to be remarkably stable.  If you think about it, *unless* the 'laws of physics' actually change over time, then science *must* accumulate models of the universe that are more and more accurate. The 'flux' is turbulence around the asymptotic line approaching truth.

I can sum all this up in one admonition really; keep an open mind, but not SO open that your brains fall out.








Article: Why We Need Audiophiles

Reply #723
And if one wants to know everything and would like to judge unbiased, yes, then he/she must consider all possibilites out there. Even the most hilarious ones. I always was for knowing every opinion and every side - in a calm way (no pun intended).


No, you don't *need* to consider *all* possibilities about every claim, any more than a scientist needs to re-perform every historical experiment to perform one today.  You only *need* to consider more outre possibilities if the new data aren't fitting the model, and even then it's absurd to think you have have consider ALL possibilities as being on an equal footing.  It is not really unreasonably *bias* that leads one to dismiss the likelihood that the sun will fly away tomorrow.

In case it's not clear, the sort of gooey New Agey epistemological arguments you're bandying about irritate me.  It is not necessarily 'unbiased' or admirable to consider all possibilities or all sides of an argument; it can be simply a stupid and unjustified waste of time.





Article: Why We Need Audiophiles

Reply #724
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You did not. I didn´t post my own test because I could very easily have been manipulating it. Which of course shows what I maybe thinking about others here - assuming that people are manipulating in order to meet their agenda. I myself wouldn´t have manipulated - but I wanted to forgo any possibilty of that kind of discussion. This presents myself in an unflattering light but I´m willingly accepting this.


Such manipulations are why the test is documented to an extent that allows re-performance.  In other words, peer review.  Science as it applies the world over should be no different here - fusion, medicine, physics, all are subject to peer review and re-performance.